All I knew about the well was its
frightening depth. It was deep beyond measuring, and crammed full of darkness, as
if all the world’s darkness had been boiled down to their ultimate density.
“It’s really, really deep,” said Naoko, choosing her words with care. “But no one
knows where it is,” she continued. “The one thing I know for sure is that it’s
around here somewhere.”
This “field well” seems to be what
continuously haunts Toru and Naoko. They just cannot let go of the thought that
they might fall into it someday without knowing it, although they’re not even
sure if this “field well” even exists. The mere idea of unconsciously stepping
in to the well and facing the tragic “end” holds the two back from moving forward.
Naoko loves Toru, and she knows he does
too; nonetheless, fear keeps her from initiating a new relationship with him. Upon
the death of Kizuki, who was her boyfriend and best friend for a long time, she
suddenly disappears into thin air, without giving Toru a single clue about her
whereabouts. When they meet again two years later, Naoko and Toru start
spending time together like the good old days, but once they become intimate on
her birthday, she again leaves without warning. For several months, she doesn’t
reply to any of Toru’s letters, only to later inform him of her being in a
mental hospital. She seems to be all bright and recovering, which relieves Toru
and encourages him to wait until she is ready, but she just cannot manage to escape
from her “dark days”, as in the end she suffocates herself to death.
Also, in Toru’s case, fear keeps him from
admitting his love for Midori. Looking around to find Midori at his class
History of Drama, worrying when she does not show up, waiting for her phone
calls… He obviously cares about her, but he doesn’t take a further step because
he can’t figure out his situation. Toru has trouble defining his relationship
with Naoko, which leads on to a similar confusion between him and Midori. The
fundamental cause for this issue appears to be his worrying about stepping into
the “field well.” The image that Naoko gave him a while ago follows him around,
reminding him that the deeper a relationship becomes, the nearer he gets to the
well. Even when he realizes through his conversation with Reiko that his true
partner is Midori and calls her to at last clarify his mind, however, the
thought of the “field well” once again tortures him, messing with his head and apparently
getting him lost: “Again and Again, I called out for Midori from the dead
center of this place that was no place.”
“Things
like that must actually happen.”
“They
do, every once in a while. Maybe once in two or three years. Somebody
disappears all of a sudden, and they just can’t find him. So then the people
around here say, ‘Oh, he fell in the field well.’”
It sure did “actually happen,” but more
often than expected. It happened to Naoko after Kizuki’s death and to Toru following
Naoko’s death. Both of them got lost with a close one’s death. Midori “disappeared”
for a while as well, with her dad’s passing away, but she was able to come back
to reality after she took her time. She gradually came back to her usual self,
and could fold that dark period away, labeling it a trip “South to Nara and North
to Aomori.” It’s a different story for Naoko and Toru though. They two are in
this vicious cycle where they lose a dear one, disappear, make efforts to go on
and meet new people, and just as they’re about to go a step further, they are
reminded of the “field well” that might be somewhere close by, representing
another “end.” So Naoko firmly locked herself up, never recovering and
eventually committing suicide. As for Toru, he did come back to his usual self,
but only physically; he had no idea where he was.
“Field well.” It’s what let pass so many
great relationships, opportunities, and possibly true love for Naoko and Toru.
First of all, than you for completing the assignment. You are among the venerated few. Thorough and full of emotional depth (just like that well), you clearly understand the characters and what drives them (or in this case prevents them). I would argue, however, that fear of the well is natural. We all have it, but luckily not the extent that these characters do. Very few people face death as often and dramatically as these characters do so early in their lives. It's the greatest fear one can posses, and confronting and dealing with that fear is hard for us to imagine. This is one of the driving forces of literature, and why this book manages to resonate beyond generations and cultures. Naoko doesn't recover, but she does come a very final decision she has confidence in. It seems to me she was fully aware of what she was doing and why, and we can dangerously say that is was a "practical solution," and this fits with Japanese romantic views of suicide (part of what Murakami is against). As for Toru, I would argue he does recover, and is a lot stronger than the others (except for Midori). Does he live happily ever after? It is hinted at.
ReplyDeleteGood work.